Rev. Gwen Webb on the Children’s March, WVTM13
Stay tuned to The Birmingham Black Radio Museum for more on Rev. Gwen Webb.
Remembering Rosco Robinson
Roscoe Robinson, born May 22, 1928 passed on Thursday, 26 February 2026. Robinson continued to sing and record even at 92. Born in Dermott, Arkansas to a musical family, Robinson’s father was a minister and his mother sang spirituals and he had sisters, one of whom taught music, and thus began a long and ongoing career in the gospel field joined in the 1960’s with a parallel career in RnB. Roscoe was 90 when he spoke with The Birmingham Black Radio Museum, the oral history recorded in his home in Birmingham. With his words, he painted a vivid picture of his time in many cities and with many gospel quartets as well as offering insights into the recording industry of his time.
Read and listen to Roscoe Robinson’s Oral History at The Birmingham Black Radio Museum.
2025 END OF YEAR REPORT
2025 has been a chaotic year for many of us. We’ve been witness to the destruction of the public funding and support structures in our nation that value the work of public history and archival preservation. Being able to access our democracy and discuss our nation’s history would seem to be such a vital necessity for the mental and emotional health of our people. Not everyone agrees.
That is why over the past three years, we’ve added a permanent structure to our digital online location.
The BBRM exhibit opened in late March, 2025 with an operating wheel chair accessible lift and held mini tours into early April. On April 5th, The Carver sewer pipe backed waste into the museum and we had to shut down and remove much of the exhibit to our Interior Design folks, Culton Industries-Method-1. On April 11th, we were witness to a City of Birmingham engineer extending a camera down the Carver sewer line for approximately 69 feet, before it met with obstruction. On July 12th, the County engineers and City engineer visited again, ran dye tests, and all agreed the blockage was the city’s problem (the City of Birmingham owns the Carver Theatre). At the October 7th City Council meeting, Councilor Clarke inquired of Chief Financial Officer Chas Mitchell as to what is being done, in that the City has now admitted that they own the blockage and not the county. Chief Mitchell shared that a contractor was being sought. Neither the BBRM nor the Alabama Jazzhall Radio station can rebuild in the Carver basement until the sewer line is repaired or replaced.
In the meantime, we have been working with educators at UAB who have expressed interest in using the BBRM collections as curriculum tools. Dr. Jeremiah Clabough’s students have already produced sample curricula for high school and middle school, using our oral history and ephemera collections accessed on line at our website (thebbrm.org). We are excited about this relationship and are also working together to shape our electronic trivia game (one of our exhibits) in line with the social studies core curriculum. We’ll be even more excited once the Museum has reopened to host students from all over country.
On behalf of my Board and myself, I want to personally thank all of you receiving this report for the support you’ve given this endeavor. Please visit our website (www.thebbrm.org/about), find our donor section below and continue your support with an end of year tax exempt contribution in preparation for our 2026 grand opening.
Best Regards,
Bob Friedman
Director
BBRM
Board Members: Emory Anthony, Esq; Ennis Bragg, business owner; Wayne Coleman, MLIS; Pamela Sterne King, MA, History; Willamena Richardson, MSN; Robert Riter, Phd, LIS; Minister Gwendolyn Cook Webb
Jim Lawson: Alabama Broadcaster’s Association Hall of Fame Inductee
The BBRM Director, board and staff congratulate Jim Lawson, his family and friends for his induction into the Alabama Broadcasters Association Hall of Fame.
The curricula for all broadcasting majors should include a new course of study – Jim Lawson 101 – where students would learn “old school” values, like how important it is to genuinely care for your audience and using radio for the good of a community. Because of his genuine love of Tuscaloosa and the people of west Alabama and his dedication to radio, the Alabama Broadcasters Association is more than proud to induct Jim Lawson into the ABA Hall of Fame.
“Jim is a true local treasure, giving freely of his time and resources to help others,” says Jimmy Shaw, president of JRD Inc. and the person who nominated Lawson for the induction. “He has always done so much for the Tuscaloosa and the west Alabama community.”
“Shaw is no nonsense. He wouldn’t just nominate anyone if he did not think they were deserving,” says Mildred Porter, Operations Director at WQZZ. “So, this is going to give Jim a sense that he’s really respected in this business, and it has really humbled him.” “It was a total shock – very pleasant – but a total shock,” says Lawson about learning of his induction. “This one is special because this is from my peers. A lot of other recognitions have been from people outside of the industry. I was really pleased that my friends did see fit to nominate me.”
Lawson was already hooked on radio after his first year at Morehouse College in Atlanta. During that summer break he created an audition tape. He bought some records, wrote his own spots and even made a news break. He says that’s all he knew about radio.
It was enough. A broadcasting journey that is chock full of interesting anecdotes, occasional struggles and many successes brought Lawson from WEUP in Huntsville, to WJLD (1960s) and WENN in Birmingham, right up to the present where he owns three Tuscaloosa/Green County stations: WMXB, WWPG and WQZZ.
But the way he uses radio to care for others deserves the spotlight, too. For instance, when Stillman College went through a hard time keeping up with maintenance and paying staff, Lawson used his daily radio show to raise over $100,000 for the school in just 30 days. Recently when Lawson heard a student at the University of Alabama had the opportunity to study abroad, but didn’t have the funds to do so, Lawson raised funds for him to go.
“We’ve helped people pay house notes. We’ve helped people get roofs on their houses. We have voter registration drives”, says Lawson, “Sometimes I tell him we’re going to go broke with all this stuff that he’s doing,” laughs Porter. “But if he promised he’s going to do something, Hell or high water, he’s going to do it!”
“Radio is an avenue that could lead to change. And I tell people, this is your radio station, so use it. This is why we are here.” “So much has changed in radio, but we’re holding it together so that the personality is still there. For those of us who love radio so much, it’s more than just the frequency on the dial and a place to place commercials,” Lawson explains.
Lawson says he’s tried to retire several times, but it never worked out. “There’s always so much left to do,” he says. “Retirement is not in his vocabulary,” smiles Porter. “I don’t mean for this to sound morbid, but he would die a happy many if he took his last breath sitting in front of a microphone.”
“I don’t know what else to do,” says Lawson. “It’s just … that’s just my life.” “Radio has been a driving force with me, “ says Lawson. “Some places I have worked for no pay. That shows you how nutty I am.”
Robert “Bob” Carl Bailey: Alabama Broadcaster’s Association Hall of Fame Inductee
Robert “Bob” Carl Bailey (October 13, 1935 – April 16, 2001)
Robert “Bob” Carl Bailey was the first African American to own a radio station in Northwest Alabama and the first to operate a Black formatted radio station in the Florence-Muscle Shoals area. His broadcasting career, coupled with everything he did to help the Black community through government involvement, social work and out of the goodness of his heart has earned Bob Carl Bailey an induction into the Alabama Broadcasters Association Hall of Fame.
“My father could do anything,” says his daughter Tori Bailey. “He had an engineer’s license and I used to call him MacGyver because he could take a paper clip and some gum and make pretty much anything work!”
“When we began receiving CDs from record labels, dad told me to write them letters and tell them we wanted to continue to receive our music on vinyl,” she laughs. “And I had to explain about how they didn’t make beta anymore – it’s VHS now. He had me figure out how to slice wire to make the connections work. And I did.” Bailey found solutions beyond the engineering variety.
“There are people who tell me these stories about how he made a difference in their lives. He would hear about a problem and then he would resolve it,” says Tori. “For instance, there were some attorneys who came here – a small shop – and they didn’t have a lot of resources. So, Dad paid for their secretary’s salary for an entire year, just so their business could make it.” “He bought a truckload of coal, and had it delivered to a gentleman who lived out in a very insubstantial house. He didn’t ask what was needed. He saw a need and fulfilled it.”
Bailey was one of the first African American music retailers. He owned three record stores with his wife, Odessa. “He was the first African American to serve on an Alabama governor’s cabinet because he asked, ‘What are you doing for small businesses? Small businesses collectively employ more people than these major corporations that you’re courting.’ The governor agreed and Dad began to go all over the state asking, ‘what do you need?’”
“Bob Carl introduced Jimmy Hughes to Rick Hall,” says Brian Corrigan, a Music Preservation Consultant with the Muscle Shoals National Heritage Area (MSNHA). “And that yielded ‘Steal Away’, one of Rick Hall’s first big hits as a producer and sort of put Muscle Shoals on the map.” Through MSNHA, Corrigan is working to get Bailey’s WZZA a National Heritage Site designation. His research has made him somewhat of a Bob Carl Bailey aficionado.
“When James Brown was in town for a concert and discovered there were no black radio stations,” continues Corrigan, “he suggested to Bob Carl that he should open his own station. It took him six or seven years from that point to get from first being hired as a manager at WZZA to then eventually becoming part owner.” Speaking of recognition, it was earlier this year that Bailey was honored in Leighton with a historical marker, changing First Street to Bob Carl Bailey Memorial Drive.
“My dad had another kid,” smiles Tori. “This kid was this radio station. He spent so much time here, and it mattered so much to him. I think he would be proud of the fact that it’s still here, still servicing the public that didn’t have that voice before this radio station came to be.” “And he used the radio as a forum to do that, to bring attention to these challenges that were faced by people that maybe would otherwise go overlooked, unaddressed. And so he was an advocate, and the radio station helped him to advocate for the people in the Shoals area and beyond.”
“I’m so hoping that we continue that legacy, that we continue to do that, that we see what needs doing, and we do it. We see a need and we fill it. And I’m hoping that we can do just half of the things that he did during his time that he walked this earth.” “I think he would be very proud to know that there are people who remember his contributions, what he did, who he was.”
Gary Richardson: Alabama Broadcaster’s Association Hall of Fame Inductee
Hall of Fame inductee Gary Richardson
The BBRM Director, board and staff congratulate Gary Richardson and family for his induction into the Alabama Broadcasters Association Hall of Fame.
This Hall of Fame inductee dreamed of an on-air radio career as a very young man. But he had extraordinary skills in electronics and engineering. Could he do both? Yes – and then some. The Alabama Association of Broadcasters is delighted to include Gary Richardson as an inductee in its Hall of Fame.
Like so many successful broadcasters, Richardson’s aspirations started early. “I had a little portable cassette recorder and I’d been secretly recording myself for years imitating the DJs on the radio,” explains Richardson. “My family and friends would say, ‘Wow! You sound just like the guys on the radio.’”
Although Richardson liked the idea of being on air, he was mainly interested in electronics and engineering. “During my sophomore year in high school, we built an AM campus radio station, and my focus was on learning the electronics and experimenting in science,” says Richardson. “But a teacher heard me read a report and she told me I had a great voice for radio. I was using my ‘radio voice’ and didn’t know it.”
After high school and a stint with the Army Reserves, Richardson worked at WJLD and WZZK. Gary also earned several degrees, including an associate’s degrees in mass communication and electronic engineering technology from Jefferson State Community College, a bachelor’s degree in electronic engineering technology from Excelsior College in Albany, New York and a Bachelor of Business Administration from Faulkner University in Montgomery. He also has a master’s in education from Alabama A&M University.
Beyond his degrees from colleges and universities, Gary learned from many of Alabama’s great broadcasters including the late Bob Carl Bailey, a black radio station owner and a member of the ABA’s Hall of Fame. “In the back of my mind I’d been thinking, ‘I’m going to own a radio station,’” says Richardson. “When I told this guy about it, he sat there and talked to me for three hours about what I needed to learn and how to go about acquiring one.” Richardson got back into engineering thanks to some faulty wiring. It seemed that every time the jocks pushed the microphone button, they’d get shocked!
“The owner said, ‘Hey, if you can make that light come on outside the studio without these guys having to wear gloves, you’re hired,’” laughs Richardson. “He made me the chief engineer and later the station manager.” That was just the beginning. Richardson formed Richardson Broadcasting Corporation and bought his first radio station in 1987. The company now owns and operates two radio stations, a low-power television station and two FM translators. For the past almost forty years, he has hosted a popular morning talk show. Plus, he developed the concept of “Cable FM”. “Via the cable, you splinter off your receiver antenna, connect the cable to your FM receiver and tune into a frequency – and boom, there it is,” says Richardson. “It allowed AM stations to broadcast on FM.”
“His awareness of what could be done with radio is astounding,” says Bob Friedman, founder of the Birmingham Black Radio Museum and longtime friend and broadcaster. In fact, it was Friedman who told Richardson about his induction into the Hall of Fame. “You know, he started crying,” says Friedman. “He’s done all these things with radio in this market as a broadcaster, an owner and an African American. Being the first at this and the first at that, taking risks and all of that. It’s time for him to be recognized.” Richardson’s life is full. He still hosts his highly popular morning talk show and he’s serving his fifth term as mayor of Midfield. With all of that, he’s still thinking about the future.
“I learned early on that if you don’t get bigger, you get out,” laughs Richardson. “I’m always looking forward and I don’t think I’m ever satisfied in this business.” Friedman sums it up perfectly. “He really loves radio. Like nobody’s business.”
Summer Reflection from Ashley Estelle
This summer, I had the privilege of interning at the Birmingham Black Radio Museum (BBRM). Founded by Bob Friedman, the BBRM serves to chronicle the city’s African American radio legacy from the 1930s through the 1980s, when AM radio was the most accessible frequency to listeners. Collecting oral histories and important ephemera, the BBRM archive highlights the evolving culture of the medium and its impact on the community as the broadcast format expanded over time.
Working within this important archive, I gained hands-on experience in historical research, archival processing, and data management, all while learning about the dynamic role Black radio played in shaping Birmingham’s social and political life.
My primary focus this summer was creating a finding aid for a new archival collection centered on Rev. Dr. Erskine Faush – a pastor, radio broadcaster, and gospel concert promoter who helped bring national gospel talent to Birmingham stages and airwaves. The materials for the collection were generously donated by his wife, Audrey Faush. When I was first introduced to the various documents and ephemera, I was amazed by the condition and amount of items—receipts, handwritten notes, programs, and even tickets from events he had organized were all pretty well-preserved. While I was eager to begin processing the materials, I also recognized how new this work was for me. For the first two weeks of my internship, I focused on carefully documenting everything I could and taking notes of what the collection included without moving much around.
Through that process, I realized the complexities of archival work. Since the materials weren’t pre-organized, I had to think critically: What was the best way to arrange them? Which items held enough significance to be formally included in the collection, and which did not? These questions shaped the foundation of my work moving forward.
I leaned heavily on the knowledge and experience of Mr. Friedman, who had interviewed Rev. Faush in 1997. As I sorted through materials, I made sure to listen to his stories about influential figures in Birmingham radio and his recollections of Rev. Faush’s involvement with stations like WBCO and WENN radio. I also consulted existing collections on the BBRM website, which helped me understand how things had already been organized – as well as looking at anything that was already Rev. Faush-related – in order to gain more knowledge on the specific collection I was working on. As I became more familiar with the collection, I began to understand that organizing archival materials is ultimately a form of storytelling. The most rewarding part of this project was realizing how connected Rev. Faush was to the Black community of Birmingham. Talking to my mom and aunts about their memories of listening to figures like Rev. Faush and Paul “Tall Paul” White helped me connect the physical documents I handled every day to real people and lived experiences.
As my understanding of Rev. Faush deepened, so did my confidence in how to best present his collection. He wasn’t just a devout Christian and minister; he was also a gifted singer, a businessman, and had a great voice for radio. To reflect this complexity, I chose to arrange the materials in two main sections: first, a chronological organization of items directly related to Rev. Faush, followed by a thematic grouping of materials that were more broadly connected to his work and personal life.
Although the documents arrived out of order, I noticed that older folders often listed concerts he planned roughly every two months. Using those dates as a framework, I preserved the original folder groupings when possible, pairing them with corresponding letters and performance contracts. It felt like assembling a puzzle, each piece revealing more of the story and how Rev. Faush had planned things for the community.
Cataloging materials ranging from handwritten letters to concert contracts and church programs gave me an intimate view of Rev. Faush’s dual legacy as both a media figure and community minister. Notable highlights of his collection included a 1965 telegram from Dr. Martin Luther King Jr., correspondence with gospel legends like Dorothy Norwood and James Cleveland, and various documents related to the 1976 WENN radio walkout. What was most interesting about the documents relating to the walkout was how Rev. Faush had collected various items from the event, like flyers, agreements, and news coverage. With the items found within his collection alone, another story could be told, particularly about the community at WENN radio.
Through this work, I not only developed practical archival skills in arrangement and description but also gained a deeper appreciation for the significance of Black radio as a cultural and organizing force in Birmingham. Rev. Faush’s broadcasts weren’t simply about gospel music; they were also lifelines of faith and empowerment for a community navigating the challenges of the civil rights era.
What inspires me most about BBRM is how it has evolved from personal oral histories and scrapbooks into a professional, community-rooted archive. As someone heavily invested in historical preservation, this internship made me realize that archives aren’t just about preserving—they’re acts of cultural care and a place of truth. Each folder I organized wasn’t just a set of documents, but part of a much larger story about Black self-representation, religious life, and a particular history in the South.
I’m deeply grateful to Director Bob Friedman and the BBRM team for welcoming me into this important work. This experience has not only expanded my archival skill set but also deepened my appreciation for Black media history. I leave this summer proud to have contributed to the legacy of preserving Birmingham’s Black radio voices.
Shelley “The Playboy” Stewart, Radio Hall of Fame Class of 2025
The Museum of Broadcast Communications has announced the 2025 class of Radio Hall of Fame inductees, honoring eleven influential individuals whose contributions have shaped the radio industry across genres and generations. This year’s class includes prominent on-air personalities, programming pioneers, and executives including Birmingham’s own Shelley “The Playboy” Stewart.
The Birmingham Back Radio Museum sends congratulations on the nomination to Birmingham broadcast legend Shelley Stewart and his entire family.
The 2025 Radio Hall of Fame Inductees will be honored at the in-person 2025 Radio Hall of Fame Induction ceremony on Thursday, October 30, 2025, at the Swissotel Hotel in Chicago.
Birmingham Black Radio Museum welcomes Ashley Estelle for summer internship
A rising Senior from the University of Notre Dame, Ashley Estelle has dove in head first, working as a Summer intern, developing a finding aid for unprocessed ephemera and updating the collection for the Birmingham Black Radio Museum.
With family originally from the historically Black neighborhood of Collegeville, Ms. Estelle, was born and raised in Birmingham and grew up in the West End community, graduating from Ramsay High School in 2022.
“I love learning about the history of my state,” says Ashley. “I hope after I finish school, I’ll be able to come back home and do work here.”
With a major in History and minors in Africana and Poverty Studies, Ashley has a great interest in African American history and its representation in American public history. At Notre Dame, she works as a library assistant in the University’s Rare Books and Special Collections division. The work she has done there has inspired her to pursue a degree in the Library Science and Archival field.
“This is truly fun for me to do,” reports Ashley. BBRM Director Bob Friedman has asked Ashley to take on organizing and highlighting documents related to Rev. Erskine Faush and his contributions to the Birmingham community, including his broadcast career and concert promotions during the 1960‘s and 70‘s.
One of Estelle’s favorite finds so far is a Western Union telegram to Rev. Faush from Dr. Martin Luther King Jr. in December of 1965. The telegram urged Faush to attend a meeting at St. Paul’s Methodist church with other local leaders within Jefferson County to address reconstructing
Alabama’s politics, King believed that Jefferson County held “the key that can open Alabama’s political door…”
As Estelle continues to organize this collection surrounding Faush, she mentioned the great knowledge she’s obtaining through working on the documents: “I’m learning about the history of my city, about radio’s involvement in the community, and the importance of archiving and preserving documents.”
“We are happy to have Ms. Ashley Estelle here for the summer,” commented BBRM Director Bob Friedman. “She’s very careful with the materials and meticulous recording content. She loves Birmingham, really enjoys her work making a significant contribution to the BBRM collection and we’re glad to have her this summer.”
Remembering Ms. Lee Bell Johnson, “Our Mahalia”
An extraordinary thing happened to me Monday January 27th. I, along with many others in a small Bessemer community, attended the going home ceremony at Macedonia Baptist Church in Bessemer for Ms. Lee Bell Johnson, known very affectionately locally as “Our Mahalia,” referring to her singing and the extraordinary gospel singer, Mahalia Jackson.
Ms. Lee Bell passed at the age of 91, and back in 2011, graced the microphones of the Birmingham Black Radio Museum (BBRM) with her oral history and some wonderful singing.
As we sat through the service, the time for “messages” arrived but before anyone rose to speak…on the Macedonia Baptist Church screen above the pulpit, a video began with my voice and a title, Bob Friedman, Birmingham Black Radio Museum. I was stunned. And there followed part of my conversation with Lee Bell, how she grew up, and how she loved singing. It was very moving. The congregation loved it.
I was able to meet many of her family from here in Bessemer and Detroit. The images and voice on the “message” were captured online at our web site (thebbrm.org/item/101) by a member of the church and produced for the service.
That experience brought home what we have been talking about at the BBRM for years… the value to the community when the archival/history work of an individual or a region is community-based…useful…a tool for bringing folks together. Lee Bell is missed, but also, just a click away.
– Bob Friedman, Director